Paper Quilling for the First Time by Alli Bartkowski. Published by Sterling Publishing Company, 2006. 112 pages.
I rate it … very good!
4.4/5.0
See my post about book reviews for details about my review criteria and biases.
If I had an adult friend who was interested in learning quilling, this is probably the book I would get for them. This book almost has it all, and what it does have is nicely photographed, well detailed and a pleasure to use. I don't think I'd use it for a young person (projects are more functional rather than just fun), but I think the book is well suited for an adult.
What I liked:
This book is laid out a little differently than others, focusing on beginners and their questions. Each section (such as Section 2, The Basics) is motivated by subheadings in the form of questions (such as How do I make a folded rose?). This lends a relaxed feel to the book that I think would appeal to a beginner. The quality of the quilling is very good throughout the book. The tutorial shows examples of good and poor quilling, and what can cause problems. All the necessary techniques are illustrated, and then some. Pictures are plentiful, and instructions are clear.
What I liked less:
I really missed a history section, but you know my bias there - I just think a beginner's book needs some history. I thought the projects got a little too difficult too quickly, but this is a minor point. The projects were not as appealing to me as some other books, but given I'm not a beginner, the book isn't targeted to me. I thought some of the projects needed more detailed line drawings of the actual patterns. The gallery of projects at the back is nice, but I wanted more. (I always do :)
Overall, I'd recommend this book for an adult beginner. As a collector I'm glad to have it on my shelf, and there are a few tidbits here and there that help spark the imagination even of a seasoned quiller.
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Monday, September 21, 2015
Monday, September 14, 2015
Ideas for Quilling - Designs and Motifs of Ancient Mexico
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Books on designs and motifs. |
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The classic calendar - I'd love to quill it, but just haven't quite figured out how, yet. |
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A smaller motif perfect for a quilling project. |
These native motifs are not quite the same as say Celtic ones, where you have a lot of ready made knots and spirals right there to follow. Instead, these designs have other elements, such as dots, feathers, and plenty of curving shapes. They are really perfect for quilling, just in a different way. I'm planning to quill the motif above. I can envision places for fringe, feathers, long coils of paper, and more. Now I just have to figure out what all the colors should be :) And I'm not giving up on quilling the calendar. Just ... maybe not right now.
Image Credit: My pix from my books. They are: Ancient Mexican Designs by Gregory Mirow, and Design Motifs of Ancient Mexico by Dover Clip Art.
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Thursday, August 27, 2015
Artist Interview: EverAfter Artisanry
Today's interview is with the talented force behind EverAfter Artisanry. These lovely wire and bead flowers are her work, and she has agreed to share her projects, ideas, history, and more!
When did you get interested in wire/beading art, and how did you learn? (books, youtube, other artists, etc.)
I was first interested in the aesthetic of wire-wrapped jewelry a very long time ago, probably over a decade ago, but it wasn't until the last few years that I actually thought I could attempt to do it myself. Probably I started first working with wire in a hobby way about three years ago. I would wrap large crystals with wire to turn them into Christmas ornaments and give them to friends as gifts. Around a similar time I was separately learning some beading techniques, just using plastic beads and elastic cords, as there was a stretch of time when I was going to raves and making what they call 'kandi', which is the word for the large colourful bracelets that a lot of kids wear at those parties. I learned some basic beading techniques from my friends at what we called 'kandi sessions', where we would go to someones house, sit around, and make those bracelets. At some point along the way I became interested in beaded embroidery, to embellish fabrics. Two years ago was the first time online that I saw a picture of a 3d beaded flower. I was looking for 2d flower patterns/techniques to bead flat onto fabric, but seeing these 3d ones fascinated me. I did a lot of learning through looking around for free articles on the web, and from watching youtube videos. When I am developing my own patterns for beaded flowers I will hunt around on the internet for articles regarding how to make those kins of flowers out of paper, and then adapt it to make the same shapes from my wire. Sitting down and just practicing has been essential to learning. Finding wire that is thin enough to get the seed beads onto, and strong enough to hold shape, using different gauges for different purposes, has been a trick of experimentation. I made my first bouquet at the end of last year/beginning of this year. I have made eight bouquets in total now, and I learn more each time.
What is your favorite project that you have made?
I would say that this piece is my favourite one, as it stands: everafterdesigns.deviantart.co… I am one of those artists that tends to dislike their older work as mistakes become more apparent or I prefer my newer techniques, and, I think in many ways some of my newer pieces are better than this one, but, this is my favourite. I spent a good bit of time designing it through sketches after looking at calla lilly bouquets on pinterest, I was throughtful about my choice of colours as well. In this one, I also taught myself how to make calla lillies without a pattern, and I just have not done anything else on this scale. Its so large!
What do you like best about wire and beading art?
I think its a very expressive medium, though to be honest most forms of art have a wide range of expressive capacity. Honestly, the thing that I like best about it might just be that I seem to have some talent and that I authentically think I am producing good and creative work. I've messed around with other mediums, but, I think the stuff I'm doing at the moment is really bringing my skills together. I like a sense of accomplishing something.
Where do you get your ideas for new projects?
Well, I'll take inspiration at the moment by looking at bouquets using real flowers. There are a number of classic bouquet types, such as circle bouquets, cascading bouquets, even sheath bouquets. I have not made a sheath bouquet yet! I want to be able to create varied arrangements of flowers, arrangements in different sizes and different shapes, conveying different moods - so I'll find inspiration by trying to widen my portfolio, essentially. I also look into wedding trends, what flowers, colours, styles and shapes are popular. There is a website called Style Me Pretty that always posts the most beautiful floral designs, so, I find that very inspiring to look at.
www.stylemepretty.com/
What makes your projects different from other people's?
Well, in the scheme of things, there aren't actually all that many people who seem to make whole bouquets out of seed beads and wire, so, being in an area with so few artists working in the medium makes it easier to stand out, I think. I'm relatively new to this area, as I said earlier, I have only made eight bouquets - but I think my research into floral design helps me to create unique designs. Also I don't work from other peoples patterns, I develop my own. I don't do that by looking at other beaded versions of the flowers I am trying to produce, I'll do it by looking at the actual flowers themselves, and my looking into construction techniques for flowers in other mediums such as paper - to help me get realistic shapes. I think that kind of innovation might help me to stand out as well. At the moment I am really focusing on providing a wide range of colours/sizes and shapes, but into the future I think one thing that will help me stand out is I pay attention to fashion trends. I'm the sort of person who keeps up with couture runway designers, so, I think taking influence from couture catwalk trends will also help my work have a little something different.
How do you stay current with new techniques and trends in wire and beading?
To be completely honest, while I do produce good work (I feel) - in many ways I feel that I have a lot of 'mastering the basics' to go, when it comes to techniques. I'm not on the cutting edge of wire-work or beading techniques, not at all! I'm starting to get better and have subscribed to some mailing lists for beading websites, but this is an area I don't feel on top of, to be honest!
Do you have any special or long
term goals for your art? A contest, or major project, or producing a
certain number of type of pieces, or some such?
Well, I am an aspiring professional. The proper long term goal would be to sustain myself doing this, as my full time job. Shorter goals to get me to that point are going to include coming up with reproducible jewelry lines for sale. Also I've got some special projects lined up in the form of some planned styled photoshoots. I want to make matching jewelry and accessories for some of my bouquets, and have some photoshoots with models. One of these major projects involves making an embellished black veil, jewelry and bouquet for a gothic photoshoot. I'm going to incorporate swarovski crystal skulls into the bouquet, I think thats going to be something special.
Is there one aspect or technique about your art that you really want to learn?
I want to get much better at basic beadweaving techiques. In the future I also want to get into glass blowing and glass work, so that I can make my own beads, and so that I can incorporate my own glass flowers into my bouquets. I think that could be really special.
Where can people go to view/buy your art, and do you take commissions/do custom work?
I'm really only in the setup phase of turning this into a professional gig, and, I have not opened a shop yet or started selling my work yet. I want to come up with a jewelry collection before opening up some sort of shop. That said, I would absolutely love to work on custom bouquet projects, so if anyone is interested, then contacting me through facebook to arrange talking more would be fantastic.
My art can be viewed in the following spaces:
https://www.facebook.com/EverAfterArtisanry
http://everafterartisanry.tumblr.com/
http://www.everafterdesigns.deviantart.com
Many thanks to EverAfter Artisanry for agreeing to be interviewed! If you'd like to be interviewed, leave a comment on this or another post!
Image Credit: All images credit EverAfter Artisanry.
When did you get interested in wire/beading art, and how did you learn? (books, youtube, other artists, etc.)
I was first interested in the aesthetic of wire-wrapped jewelry a very long time ago, probably over a decade ago, but it wasn't until the last few years that I actually thought I could attempt to do it myself. Probably I started first working with wire in a hobby way about three years ago. I would wrap large crystals with wire to turn them into Christmas ornaments and give them to friends as gifts. Around a similar time I was separately learning some beading techniques, just using plastic beads and elastic cords, as there was a stretch of time when I was going to raves and making what they call 'kandi', which is the word for the large colourful bracelets that a lot of kids wear at those parties. I learned some basic beading techniques from my friends at what we called 'kandi sessions', where we would go to someones house, sit around, and make those bracelets. At some point along the way I became interested in beaded embroidery, to embellish fabrics. Two years ago was the first time online that I saw a picture of a 3d beaded flower. I was looking for 2d flower patterns/techniques to bead flat onto fabric, but seeing these 3d ones fascinated me. I did a lot of learning through looking around for free articles on the web, and from watching youtube videos. When I am developing my own patterns for beaded flowers I will hunt around on the internet for articles regarding how to make those kins of flowers out of paper, and then adapt it to make the same shapes from my wire. Sitting down and just practicing has been essential to learning. Finding wire that is thin enough to get the seed beads onto, and strong enough to hold shape, using different gauges for different purposes, has been a trick of experimentation. I made my first bouquet at the end of last year/beginning of this year. I have made eight bouquets in total now, and I learn more each time.

I would say that this piece is my favourite one, as it stands: everafterdesigns.deviantart.co… I am one of those artists that tends to dislike their older work as mistakes become more apparent or I prefer my newer techniques, and, I think in many ways some of my newer pieces are better than this one, but, this is my favourite. I spent a good bit of time designing it through sketches after looking at calla lilly bouquets on pinterest, I was throughtful about my choice of colours as well. In this one, I also taught myself how to make calla lillies without a pattern, and I just have not done anything else on this scale. Its so large!
What do you like best about wire and beading art?
I think its a very expressive medium, though to be honest most forms of art have a wide range of expressive capacity. Honestly, the thing that I like best about it might just be that I seem to have some talent and that I authentically think I am producing good and creative work. I've messed around with other mediums, but, I think the stuff I'm doing at the moment is really bringing my skills together. I like a sense of accomplishing something.
Where do you get your ideas for new projects?
Well, I'll take inspiration at the moment by looking at bouquets using real flowers. There are a number of classic bouquet types, such as circle bouquets, cascading bouquets, even sheath bouquets. I have not made a sheath bouquet yet! I want to be able to create varied arrangements of flowers, arrangements in different sizes and different shapes, conveying different moods - so I'll find inspiration by trying to widen my portfolio, essentially. I also look into wedding trends, what flowers, colours, styles and shapes are popular. There is a website called Style Me Pretty that always posts the most beautiful floral designs, so, I find that very inspiring to look at.
www.stylemepretty.com/
What makes your projects different from other people's?
Well, in the scheme of things, there aren't actually all that many people who seem to make whole bouquets out of seed beads and wire, so, being in an area with so few artists working in the medium makes it easier to stand out, I think. I'm relatively new to this area, as I said earlier, I have only made eight bouquets - but I think my research into floral design helps me to create unique designs. Also I don't work from other peoples patterns, I develop my own. I don't do that by looking at other beaded versions of the flowers I am trying to produce, I'll do it by looking at the actual flowers themselves, and my looking into construction techniques for flowers in other mediums such as paper - to help me get realistic shapes. I think that kind of innovation might help me to stand out as well. At the moment I am really focusing on providing a wide range of colours/sizes and shapes, but into the future I think one thing that will help me stand out is I pay attention to fashion trends. I'm the sort of person who keeps up with couture runway designers, so, I think taking influence from couture catwalk trends will also help my work have a little something different.
How do you stay current with new techniques and trends in wire and beading?
To be completely honest, while I do produce good work (I feel) - in many ways I feel that I have a lot of 'mastering the basics' to go, when it comes to techniques. I'm not on the cutting edge of wire-work or beading techniques, not at all! I'm starting to get better and have subscribed to some mailing lists for beading websites, but this is an area I don't feel on top of, to be honest!

Well, I am an aspiring professional. The proper long term goal would be to sustain myself doing this, as my full time job. Shorter goals to get me to that point are going to include coming up with reproducible jewelry lines for sale. Also I've got some special projects lined up in the form of some planned styled photoshoots. I want to make matching jewelry and accessories for some of my bouquets, and have some photoshoots with models. One of these major projects involves making an embellished black veil, jewelry and bouquet for a gothic photoshoot. I'm going to incorporate swarovski crystal skulls into the bouquet, I think thats going to be something special.
Is there one aspect or technique about your art that you really want to learn?
I want to get much better at basic beadweaving techiques. In the future I also want to get into glass blowing and glass work, so that I can make my own beads, and so that I can incorporate my own glass flowers into my bouquets. I think that could be really special.
Where can people go to view/buy your art, and do you take commissions/do custom work?
I'm really only in the setup phase of turning this into a professional gig, and, I have not opened a shop yet or started selling my work yet. I want to come up with a jewelry collection before opening up some sort of shop. That said, I would absolutely love to work on custom bouquet projects, so if anyone is interested, then contacting me through facebook to arrange talking more would be fantastic.
My art can be viewed in the following spaces:
https://www.facebook.com/EverAfterArtisanry
http://everafterartisanry.tumblr.com/
http://www.everafterdesigns.deviantart.com
Many thanks to EverAfter Artisanry for agreeing to be interviewed! If you'd like to be interviewed, leave a comment on this or another post!
Image Credit: All images credit EverAfter Artisanry.
Thursday, August 20, 2015
Ideas For Quilling - Celtic Designs and Knots
As I mentioned in my post "Ideas and Inspiration for New Quilling" one of my sources for new ideas are books with designs and motifs around a given theme. I'm going to post about a few of them here on the blog. Today's theme is "Celtic."
Celtic designs seem perfectly matched for quilling, since they so often include spirals, knots, and other flowing forms. I have picked up a selection of books over the years, and whenever I need some inspiration on this theme, I flip through them.
Design books might include CDs with images you can load right up on your computer for manipulation. And the best part is that many of these sorts of resources are specifically created to be copyright-free. (Always be sure to check the copyright - even Creative Commons licenses are usually not for commercial purposes. But quilling them for your own personal use is often allowed.)
The designs will range from simple motifs, to stand-alone drawings, to complicated scenes. Many of my Celtic motif books have smaller designs that seem ready to go for quilling, such as animals. I've been known to take a nice line drawing, blow it up to the size I need using a copy machine, and then color it in with my colored pencils. It's then easy to use as a pattern for quilling.
Some books will specifically have instructions for you to make designs yourself. My book of Celtic spirals does not just have lot of examples, it shows you how to start with basic spiral elements and turn them into a chain of connected knots. Something like this would be great inspiration for a picture border or the frame of a Celtic central piece, quilled or otherwise. My only concern is getting all those spiral pieces of paper to intertwine so nicely ... I'll need to practice that :)
Have you done quilling along a Celtic theme? Where did you get your ideas, and how did to go about making the complex curling forms?
Image Credit: My pix of my own books. They are: Celtic Spirals and Other Designs by Sheila Sturrock, Celtic Designs by Mallory Pearce, and Celtic Designs for Artists and Craftspeople by Dover Clip Art.
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This celtic cat is a purrrfect design for expression with quilling. |
Design books might include CDs with images you can load right up on your computer for manipulation. And the best part is that many of these sorts of resources are specifically created to be copyright-free. (Always be sure to check the copyright - even Creative Commons licenses are usually not for commercial purposes. But quilling them for your own personal use is often allowed.)
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A piece I've copied and started coloring in. Making multiple copies allows you to experiment with colors without damaging your book. |
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Instructions for how to draw your own knots. |
Have you done quilling along a Celtic theme? Where did you get your ideas, and how did to go about making the complex curling forms?
Image Credit: My pix of my own books. They are: Celtic Spirals and Other Designs by Sheila Sturrock, Celtic Designs by Mallory Pearce, and Celtic Designs for Artists and Craftspeople by Dover Clip Art.
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Thursday, August 13, 2015
Artist Interview: Serenity Wire Designs
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Beautiful copper and peridot pendant! |
When did you get interested in wire art, and how did you learn?
"Well, I always admired wire art, but I never thought I'd be able to do it until a friend of mine started doing wire art. Sometimes I would give her a few suggestions here and there. She didn't take all of my suggestions. Some I really wanted her to do so I finally decided I should do my own. That way I don't need to wait for her to possibly do them or pressure her to make them. So I started doing my own! Once I decided I wanted to make my own pendants, I began doing my research. I'm more of a visual learner so I was looking up video tutorials on how to make them. I also observed my friend's pendants and many others on etsy. That was the most effective way I learned to make them, just by looking at the image of a wire item and figured out how they did it in my head."
What is your favorite project that you have made?
"It's kind of hard to say which one is one is my favorite. As I progress, I start liking my newer pendants more than the older ones. Not only that, but I like many for different reasons. But I guess if I had to choose, it would be my current one called "I'm not crazy." It's a tree of life pendant inspired by one of my favorite Disney movies, Alice in Wonderland, featuring the Cheshire cat."
What do you like best about wire art?
"I like that there's many ways to go about wire art. You can always do something detailed and complicated or nice and simple and still look great. You don't need to make something complex to make it stand out."
Where do you get your ideas for new projects?
"My ideas come from anything and everything. Like many artists, I feel inspired from what I encounter. I'm a nature/animal and anime/manga lover so I try to incorporate that into my wire art a lot. I'm pretty obsessed with birds, though. I always have since I was little so I tend to make more bird-themed projects or at least try to."
Do you have any special or long term goals for your wire art?
"A contest, or major project, or producing a certain number of type of pieces, or some such? I hope to continue doing wire art for the rest of my life. I definitely plan on doing contests and giveaways in the future but it is not set in stone yet as far as dates go. Most of my work is a 'one of a kind' and rarely reproduced. Therefore, I have been trying to start producing a few "made-to-order" items. I also hope to go to fairs and events to showcase or sell my work but that's farther into the future."
Is there one aspect or technique about wire art that you really want to learn?
"Not exactly. If I want to learn a specific technique I usually do my research right away and practice. Though quite frankly I try to not use other's techniques. I try to do my own unique techniques."
Where can people go to view/buy your art, and do you take commissions/do custom work?
"I have an etsy store where I have all of my wire jewelry and other wire artworks. You can go here if you're interested!: Serenity Wire Designs etsy shop. I do take commissions/custom orders! I've had a couple of them in the past. If anyone wants something specific you can send me a message on my etsy or click the button that says 'Request Custom Order' You can also contact me in any of my other social platforms (dA, Tumblr, Twitter, Facebook, Instagram, and Pinterest)"
Many thanks to SerenityWireDesigns!
Image Credit: All images are of art belonging to SerenityWireDesigns - Pieces are Earth Kingdom, I'm Not Crazy, The Air Nomads, Little Peri, and The Darnassus Tabard
Friday, August 7, 2015
Looking for Artists to Interview!
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Real flowers - always inspiring! |
Interviews are one feature I really want to have here on the blog. I am looking for the opportunity to learn more about these arts and crafts as well as the people who do them. I'm sure I'm not the only one who would be fascinated by the stories of quillers and other crafters, so what could be better than a bit of an interview, along with a few featured photos of completed work?
You don't need to be an 'expert' or have been doing your art for a long time. I'd like to get email interviews from a range of people at different stages in their artistic careers, various ages, and in different places on the planet.
If you think you might be interested in being interviewed via email and having some of your work featured here on the blog, let me know by commenting on this post. Make sure to give me some idea how I might email/contact/message you. (If you are on DeviantArt you can always send a note to my profile there, SpiralArtisan.) It would be helpful to send a link to a website/gallery/facebook page/whatever that has some of your art on it, so I know you are 'for real.' After that, I'll email a list of questions, and request that you let me post about three pieces of your art, along with the answers to the questions. And that's all there is to it! I'll try to get posts up within a week of getting answers back, as long as life does not interfere.
And in the mean time, if you have a blog, website, or other resource you think I should be checking out, make sure to mention it!
Image Credit - My flowers, my photo. A good one for a change :)
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Tuesday, August 4, 2015
Ideas and Inspiration for New Quilling Projects
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This iron-on book, mostly for use as a source for embroidery patterns, is also a great source for quilling ideas. |
Note: If you use someone's pattern, or create a piece that is reasonably similar to theirs, then you should contact/acknowledge them if you end up posting pictures of that piece, or putting it up for sale, etc. Kits, for example, are offered with the understanding that you might craft and then sell a piece exactly like it. Permission isn't necessary in those cases. But some art is utterly unique, and one should not take a copyright for granted. When in doubt, ask the artist. At the least, it is a common courtesy, and at the most it could be a legal requirement, depending on the specifics of your situation.
Quilling Kits: The easiest place to start is to simply buy a good quilling kit. There are several companies that make them, and they are relatively inexpensive. (Some are listed on my sidebar.) A quilling kit contains instructions and enough paper to complete a specific project. Some are very basic, and others quite involved. You can do the kit exactly as is, make your own adjustments and embellishments, or use it as inspiration for a completely different piece.
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Some patterns are easy to adapt, just start filling in with quills! |
Images of Quilling: Need ideas? It's time to just go browsing. I can spend hours looking through places like "tumblr" or "pinterest." There are no patterns of course, or step by step directions. But it is a great way to spot new techniques, ways to blend colors, and more. The best part is that browsing is free, except for all the time I spend doing it, anyway :)
Motifs and Designs: There are resources that are specifically created to offer copyright free motifs, designs, borders, illustrations, and patterns around a theme. Many of the motifs are bought to be used as clipart, sewing patterns, tattoo sources, and more - say quilling! I'll be posting here on the site about a few of the motif resources I have to give you a better idea what I mean ...
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Some patterns are a bit more complicated ... but perfect for more involved projects. |
Nature: The biggest biggie, really. I can't draw very well, so I use my camera and take pictures of whatever I find compelling in the world. Using my quiller's eye, I see things very differently than when I'm just randomly enjoying a simple walk. Sometimes an image breaks down into a pattern hardly without trying, and other times its a struggle. But like any artist, if you want to capture something amazing to share, sometimes there is no other way than the hard way!
What are your sources of inspiration for quilling?
Image Credits: From the Butterfly Iron on Book by Barbara Christopher, sitting on my shelf.
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